
Building worlds.
Most often I begin by modeling forms, arranging figures and finding the right atmosphere, light and space.
A closer look at the figures I create, the things they carry, and the way my work takes shape — sometimes carefully built, sometimes found by accident.

The Umbras are shadows shaped by memories, nostalgia and human nature. They imitate our forms and gestures, longing for one thing: to step into the light and experience life as we do.
They aren’t quite people, but there’s something painfully familiar about them. What they carry is often what we carry too — our fears, our contradictions and the feeling that something is missing.
“They do not wish to possess the world. They only wish to belong to it.”DISCOVER THE UMBRAS LORE ↗
Some worlds begin with a plan. Others appear when I stop trying to control every little thing.
I started with photo manipulation before moving into 3D and digital painting. Most of my work still begins in 3D, but lately I’ve been trying more things directly on a blank canvas — painting, making mistakes and following ideas wherever they go.

Most often I begin by modeling forms, arranging figures and finding the right atmosphere, light and space.

I distort, rebuild, cut references and paint over what I’ve made. Sometimes I skip 3D altogether and just see what happens.

Texture, shadows, strange details and small accidents help the piece become something I couldn’t have fully planned.
The images above are finished works from my portfolio, not a step-by-step record of one piece. I don’t have one strict method, and I like keeping it that way.